Each one has been key-labelled and comes at 120, 140 and 175 BPM. There are over 130 Loops to shake up the plaice, with Drum Loops, Synth Loops, Combo Loops, Percussion Loops and FX Loops to start throwing in the deep fat fryer. In excess of 190 sound effects are included with 31 white noise samples and 16 digital vocal samples to mix things up. Step inside the ChipShop to see midierror cooking up over 700 one hit samples including Synths, Leads, Chords, Basses and Arps to fry-up some solid melodies, including 308 Drum Hits, with Cymbals, Snares, Rides, Kicks, Hats, Percussion and Toms neatly organised to bring big beats to the street.
And having rex-version of the loops makes it so easy to use, love it!" "Great amount of super fat breaks, synths and basses for your sampler, makes me want to get back to making drumfunk :). If you make music with these sounds, get ready for fame, gigs, money, and attention!" Synths are dope, too, and there's a good variety, and the sounds are not overcooked. Love the raw breaks – it's like Jungle Warfare made a comeback. "This is a good pack…yay for breaks culture! Janne "Fanu" Hatula (Lightless Recordings, Subtle Audio, Subvert Central): Here you can find a couple of reviews from well-known DnB producers: This collection includes more than 200 breakbeats and over 700 synth sounds. However, you can also find various key chords, pads, FX and lead sounds.Īll sounds are recorded with a high-quality audio interface in 24-Bit, 44100 Hz WAV files, and manually sliced in Recycle Rex format. This section of the pack places a particular emphasis on bass sounds. The second half of the pack includes a collection of synths, recorded with such classics as Moog Prodigy, Korg MS-20, Yamaha CS-30, Access Virus, Nord Lead, etc. Sharp Kung Fu-style Drumfunk breaks easy Soulful and Intelligent grooves thick and pumping Liquid Funk loops mellow Atmospheric DnB drums.
808 warfare free full#
Watch the full video with Dave Pensado via Pensado’s Place to hear for yourself how he fits this 808 into place.The drum programming is of the highest standard, recreating that early Jungle energetic vibe. Every song has different needs, making both of these limiters solid choices. The EventHorizon seems to add a touch of color and saturation that makes the 808 a bit grittier than what I think may suit a Pop song, but the Invisible Limiter G2 offers an alternative option, applying compression in a way that causes minimal distortion to the low-end.
Providing us with two more limiter options, Pensado auditions Stillwell Audio’s EventHorizon Limiter, and AOM’s Invisible Limiter G2. I personally think that this reduction of dynamic range is the missing piece that many people are looking for when they can’t get their 808s to sit right in their Pop songs. This device lets Pensado morph the decaying type of 808 you may find in a Hip-Hop track into a Pop-oriented 808 that sustains much longer. The 808’s broad dynamic range is addressed with the JSP Finality Advanced Limiter. This form of top-down processing is something you don’t always see, but it’s a clever technique none-the-less. It seems as though he may have inserted FilterBank into his signal flow after he’d already low-passed it. When he applies the UAD Cambridge EQ and uses it as a low pass filter, the sound starts to take form. The interesting thing about this is that it doesn’t sound terrific not until Pensado adds the next device. Pensado starts off by applying McDSP’s FilterBank to cut some of the frequency content below 100 Hz. He lets us hear for ourselves how each device he adds to his processing chain is affecting the 808. Pensado takes us through his workflow without saying very much except for a couple comical punchlines.
He starts off with a real dirty 808, like the kind you might find in 808 Warfare. Dave Pensado showcases some great plugins this week on Into The Lair that he uses to control an 808 to fit within a Pop song.
0 kommentar(er)
